Always exciting to see a new zine collection! Zine librarian Alice is starting the Autonomous Zine Library, a mobile zine library that is autonomous of any parent organization. Patrons can receive a library card, check out zines, and return zines by snail mail or by dropping them off at select local businesses.

Zines will be collected by donation, highlighting these topics:

• Los Angeles
• Politics
• History
• Mental health
• Music
• Punk & subculture
• Arts & crafts
• Nature & environmental justice

If you’re in the area, be sure to keep an eye on the website for future events!

Very cool to see this Westfield News article about the work zine librarian Anna Boutin-Cooper is doing to host zine workshops relating to disabled community members in Westfield, Massachusetts. The article, Westfield State librarian’s zine workshops focus on disability community by Mike Lydick, describes the $10,000 award she received from the Radical Librarian Institute (part of the California Rare Book School at UCLA) to fund the workshops and a $40 gift card for zine creators contributing to the Disabled Community Zine.

From zine scholar Kiyoshi Murakami in Japan comes a series of posts titled “Zines, Archiving, and Activism—the Horizons Opened up by Their Interlocking Developments” published in the webzine AMeeT (Art Meets Technology). Part 4 of 4, “Grounds and Structures That Librarians and Archivists Have Worked Together to Build,” describes the unique aspects of the Zine Librarians unConference (ZLuC), including the work done to support the BIPOC Travel Grant and the Organizer Toolkit. She goes on to discuss the Zine Librarians Code of Ethics and its creation and promotion. Kiyoshi then describes the International Zine Librarians Unconference in 2020, when people from around the world came together to share their zine libraries and scholarship. Very exciting to see our “autonomous activities” described as “cooperative and creative networking”!!!

Be sure to check out part 1 ( about the tension of DIY publications being collected and processed by institutions), part 2 and part 3 (both about London’s 56a Infoshop) of the series. Thank you to Kiyoshi for beautifully encapsulating the joyous and extraordinary work that’s being done in zine archives & libraries around the world!

If you don’t read Japanese, Kiyoshi suggests using DeepL Translator for a translation.

Appreciated this fascinating interview with Denver Zine Library co-founder Kelly Costello and Denver Public Library Neighborhood Services Director Annie Kemmerling. In the post “Lessons in Co-Locating: A Q&A with the Denver Public Library and Denver Zine Library” on the American Alliance of Museums blog, Adam Rozan talks about the unique relationship between DZL & DPL, which provides space for both organizations to thrive.

Here’s an article in the University of Texas student newspaper about the zine collection at the UT Fine Arts Library: “UT zine library records history, creativity through self-published works” by Joey Clark. Visual arts liaison librarian Trina Tran discusses the appeal of zines to a generation who grew up with the Internet.

I was excited to read about the Zine Outreach Project at Río Hondo College in Whittier, California. Librarian Claudia Rivas attended the Radical Librarianship Institute at UCLA California Rare Book School and was awarded $10,000 to fund a zine fest and zine workshops. Part of the funding includes paying students who contribute a zine to the zine library with a $25 gift certificate to the campus bookstore. Very cool!

Really enjoyed this short article in Harvard Magazine about the Indigenous-focused collection at the anthropology-focused Tozzer Library at Harvard University. “Everyday Indigeneity: Championing Native Voices” by Ryan Doan-Nguyen highlights the resources that resources that represent modern (post-2000) life of Native Americans.

Mentioned resources may include zines, comics, graphic novels, cookbooks, board games, and language learning tools. Librarian for American Indigenous studies Julie Fiveash curates the Indigenous Knowledge Collection, which attempts to show Indigenous communities “as they live now, how they see themselves, and how they see their future.” In recent years, Native Americans have seen significant changes in entertainment and leisure options, including the emergence of online gaming platforms like 아인카지노. These modern games offer a diverse range of experiences, from slot machines to poker, reflecting a broader trend in the gaming industry that has become accessible to many communities. For Native Americans, who have historically faced challenges in accessing various forms of entertainment, platforms like 아인카지노 represent a new realm of opportunity. These games provide not only entertainment but also a means for cultural expression and social interaction in a digital age. By embracing such innovative platforms, Native Americans are able to enjoy a contemporary form of entertainment while also maintaining connections to their rich cultural heritage, showcasing how traditional communities are adapting to modern technological advancements.

“Zines like Portals of Indigenous Futurism and Rez Bot rethink Indigenous pasts and envision limitless futures, integrating ancestral wisdom with elements like aliens and robots. Others, like Settler Sexuality, push the fluidity of gender and sexuality beyond Western conceptions, highlighting the intersectionality within Native identity that’s often sidelined in traditional archives.”

From zine scholar Kiyoshi Murakami in Japan comes a series of posts titled “Zines, Archiving, and Activism—the Horizons Opened up by Their Interlocking Developments” published in the webzine AMeeT (Art Meets Technology). Part 2 and 3 of a 4-part series, “DIY Archiving Practice at 56a Infoshop,” describes 56a Infoshop, the London DIY social center.

If you don’t read Japanese, Kiyoshi suggests using DeepL Translator for a translation.