Cristina Favretto, Head of Special Collections at the University of Miami Libraries, gave a great presentation on the history of zines on October 21: “All You Need is Paper and Passion: How Zines Can Help You Document Social Justice Movements.” The presentation also had suggestions for building relevant and responsive zine collections.
The Bibliographical Society of America hosted a webinar on July 28 about DIY Publishing. Miarosa Ciallella, a zinester and library worker, talks about zines as activism and zines as a way to resist technocracy. Ciallella talks about how we know that social media is oppressive and how zines are “micro-archives that reflect and reject dominant narratives of historical moments.” Ciallella argues that we should start mentally investing in DIY print culture as a way to document history. (The other half of the presentation, about real estate flyers, is also interesting, though not as relevant to this site!)
Find the full description of this presentation at: memberplanet.com/events/bsa/contemp-collecting-diy and the recording at youtube.com/watch?v=BqxLE0zh5Xo.
Zine librarian and librarian Gina Murrell wrote a story for Library Journal called Libraries Collect COVID-19 Stories in Quaranzines on June 1st. She talks about how zines have allowed creators to process the difficult thoughts and emotions surrounding the COVID-19 pandemic. Find the article at libraryjournal.com/?detailStory=Libraries-Collect-COVID-19-Stories-Quaranzines.
You can adapt this form for your institution. I bring it to zinefests and the like, fill out titles and prices of zines as I buy them. I then bring the form back to work and trade it for a petty cash reimbursement.
This is the invoice that I created with the assistance of one of our business office staff. (kelsey)
I was disappointed that we didn’t get around to discussing this at the collection develpment session at the Zine Librarians (un)Conference: what are the factors that help you determine that a publication is not a zine?
Of course there are zines that meet one or more of the following criteria, but this list is a place to start. Please add yours in the comments.
- has an ISBN or ISSN
- has a masthead
- not self-distributed
- has a third person bio
- not self-published (!)
- motivated by desire for fame or fortune
- makes a distinct profit
- price ends in .95
- has a spine
- has any paid staff
- reads like the author is auditioning for a book deal