Projected stops and dates:
New Orleans, LA – June 26
Atlanta, GA – June 28
Murfreesboro, TN – June 29
Pittsburgh, PA – July 1
Cleveland, OH – July 3
Toronto, ONT – July 4
Detroit, MI – July 5
Chicago, IL – July 6
Milwaukee, WI – July 7
We haven’t really started contacting people in our host cities, so this whole schedule could blow up at any time!
Core participants are Jenna Freedman, Celia Perez, Debbie Rasmussen (and her Zine Mobile), Jami Sailor, and John Stevens (from Australia). We’ll pick up other library worker zine makers along the way!
A group of zine librarians have started spontaneously planning a one day conference to talk about zines in libraries of all kinds on Monday, August 30th, the day after the Portland Zine Symposium wraps up. The conference will be held at the North Portland Multnomah County Library branch at 512 N. Killingsworth St from 10:30-5:30pm. The tentative plan is to have a half day conference and a half day work session to accomplish some tasks that would be a benefit to zine librarians. One idea was to gather all of the zine related policies in one spot so that people had access to them. Another idea was to collectively add a bunch of entries to Zinewiki. Or… ? This conference is open to anyone interested in zines in libraries/archives/infoshops/etc; not just card carrying librarians!
A planning wiki has been set up- please register if you’d like to attend and share your ideas with us.
We’d love to hear all of your great ideas.
Hi! Inspired by Jenna’s call to action, I took a stab at writing a letter to LOC on the fan magazines vs. fanzines issue myself. I’ve posted the letter, like Jenna’s addressed to Barbara Tillett, below. Not being a cataloger or someone who deals with cataloging issues on a regular basis, I realize my letter lacks the cataloging expertise, temininology or sourcing that Jenna’s does or I’m sure yours will. But hopefully every voice helps the cause…
Dear Ms. Tillett,
Good morning. My name is Jeremy Brett, and I am an archivist with Special Collections, University of Iowa. One of my projects over the last two years has been to acquire and process materials for our growing archival collections of zines. Special Collections is making a concerted effort to collect zines in all formats in order to preserve these materials and make them accessible to wider popular and research audiences. Zines are windows that provide glimpses into fascinating and often-under documented social worlds, worlds that we believe deserve to have their voices rescued from obscurity.
At the present time, we are not cataloging zines in any sort of traditional library format. However, as an information professional who deals with zines in an institutional setting I am interested in the ongoing development of uniform cataloging standards for zines. I recognize that this is more an art than a science, because of the peculiarly idiosyncratic nature of the zine medium. However, I also understand that such standards are useful both to catalogers and to interested readers and researchers. Subject headings that accurately reflect zines and related publications are key tools in the provision of access to those materials.
Thus, I am concerned with the Library of Congress’ recent decision to eliminate “Fanzines” as a 150 field and replace it with the term “Fan magazines”.
I believe that this decision represents a misunderstanding of the nature of both types of materials. Fanzines are decidedly not fan magazines, but separate and independent materials with their own particular history. Fanzines are non-professional publications that relate to a particular cultural genre, subject, product or phenomenon. They are most associated with science fiction fandom, within which fanzines have formed an active and integral source of fan communication since the early 1930s. In science fiction and related fandoms today, fanzines continue to be a popular mode of personal opinion and expression.
However, fanzines are not limited to science fiction fans. As an example, many members of the vast and varied world of music fans have also embraced the medium. Music fans continue to use fanzines as methods of publicizing their own musical works and those of others, particularly
those considered “underground” and who stand outside the traditional corporate music scene. For these artists and fans, fanzines are a vital method of making their voices heard.
For members of these and many other fandoms, the term “fanzine” has a storied intellectual and emotional association. It is a popular term that accurately describes a particular family of publications and that is universally recognized among, across and beyond fandoms. To replace this term with a less adequate one, I believe, does a disservice to fans and to researchers who, because of the long use of the term “fanzine”, are much more likely to search for materials primarily under this term than under the term “fan magazines”.
A fan magazine is a professionally produced publication devoted to some aspect of popular culture. While fan magazines may deal with some or all of the same subjects, topics or genres as a fanzine, the former are distinguished from the latter by their for-profit status and their more typical concern with mainstream rather than fringe aspects of their subjects. A fan magazine is a perfectly legitimate form of publication, but it is not a fanzine.
In my opinion, the Library of Congress should retain “Fanzine” as a 150 term rather than relegate it to the 450 field as a UF term under “Fan Magazines”. To continue using fan magazine as a term for fanzines (as opposed to recognizing fan magazines as a genre generally associated with fanzines) is misleading to researchers and readers alike. The two types of publications are dissimilar in their production, their authorship, their professional status, and, very often, their intellectual and creative focus. Both types deserve recognition by the Library of Congress cataloging authorities as discrete media and each type deserves its own 150 field.
Thank you for your attention.
Special Collections Project Librarian
Special Collections and University Archives
University of Iowa
100 Main Library
Iowa City, IA 52242
To Whom It May Concern at the Library of Congress:
I want to ask you to reconsider your decision to absorb FANZINES into the new FAN MAGAZINES subject heading. I believe the two publication types are so different that even connecting them with a Related Term would be erroneous. Perhaps the defining characteristic of FANZINES is that they are self-publications that stem from subculture movements, primarily punk rock in their current incarnation, and science fiction in the 1930s. FAN MAGAZINES are commercial and mainstream, catering to celebrity culture.
- Wikipedia (Wikipedia is cited in the FAN MAGAZINES authority record, so I feel it is not inapropriate to use it here, as well.)
“The term fanzine is sometimes confused with ‘fan magazine‘, but the latter term most often refers to commercially-produced publications.”
- Merriam Webster
“a magazine written by and for fans <a sci-fi fanzine><a punk rocker with her own fanzine>”
No result for “fan magazine” search
Fanzines results in a Google search: 319000 vs. “fan magazines” results: 3940
- Anthony Slide’s website
I am unable to review the work that inspired the change, but judging from the author’s website (presuming I have identified the correct author, which I am fairly confident that I have), his writing is entirely related to film fandom, not at all to science fiction or punk, which are the primary subjects of FANZINES.
- Bowling Green State University Fanzines page
“Fanzines (or zines) are magazines published by individuals or groups of individuals who have a particular subject interest or who just want to express their own ideas to the public. These are generally self-published magazines, usually issued with less than 2,000 copies, and typically have irregular publication times (i.e. not monthly or quarterly, etc.). Although most zines are pubished independently, some zines may be published similarly to standard library periodicals, including publication information, reviews, editorials, and regular numbering sequences. However, the typical zine is usually stapled together, sometimes folded and in small print, may have strings holding it together, or any other means of collating.”
- University of California at Riverside Fanzines page
Zero references to film or movie fan magazines.
- Whatcha Mean What’s a Zine, The Book of Zines excerpt
“Zines (pronounced ‘zeens,’ from fanzines) are cut-and-paste, ‘sorry this is late,’ self-published magazines reproduced at Kinko’s or on the sly at work and distributed through mail order and word of mouth. They touch on sex, music, politics, television, movies, work, food, whatever. They’re Tinkertoys for malcontents. They’re obsessed with obsession. They’re extraordinary and ordinary. They’re about strangeness but since it’s usually happening somewhere else you’re kind of relieved. You can get to know people pretty well through their zines, which are always more personal and idiosyncratic than glossy magazines because glossies and the celebrities they worship are so busy being well known.”
[You'll note that this definition does reference movies, but the essence of the definition is the self-published, obsessive nature of the works.]
Also, from the author’s Master’s Thesis:
As Fredric Wertham points out in his book “The World of Fanzines.” The word fanzine was originally an in-group slang expression used loosely and interchangeably with ‘fan-mag,’ that is fan magazine.”
This signification of “fan magazine” differentiated the publications produced by fans from the “professional newsstand magazines” such as Amazing Stories and Weird Tales, which were referred to as “prozines”—professional magazines. Fanzines were widely devoted to discussion of science-fiction and fantasy literature, and featured articles, cartoons, and fiction related to the subject, all produced by the fans themselves. In her introduction to “Some Zines,” Cari Goldberg-Janice writes that the fanzines united far-flung fans to write about “the subject they loved to talk about the most—science fiction.”
I hope you’ll agree with me that the self-published/underground nature of FANZINES vs. the corporate/celebrity focus of FAN MAGAZINES is an essential difference. I know that the scholars that use the Zine Collection at Barnard College and other zine libraries will be poorly served by this change.
FANZINES would be better placed as a narrower term for ZINES, with other narrower terms for ZINES such as:
COMPILATION ZINES (UF COMP ZINES)
DIY ZINES (UF COOK ZINES)
LITERARY ZINES (UF LIT ZINES)
MINICOMICS (UF MINI-COMICS)
PERZINES (UF PERSONAL ZINES)
I give examples of each of these on the Barnard Library Zine Collection website.
It would be helpful if the terms were also usable as genre headings.
I invite you when making any future changes to FANZINES and ZINES headings to consult the Zine Librarians discussion list. Contributors give matters related to zine librarianship great thoughtfulness and expertise. We are very happy that the Library of Congress has established headings useful to our work. It is an exciting time as this specialty grows and we develop standard practices for cataloging it.
Jenna Freedman, MLIS
Coordinator of Reference Services and Zine Librarian
Barnard College Library
AIM, Google Talk & Yahoo: BarnardLibJenna